Two years later, Disney turned to Tin Pan Alley songwriters Mack David, Al Hoffman, and Jerry Livingston to compose the songs.[43] They were the first professional composers to be hired outside the production company.[6] The trio had previously written the song "Chi-Baba, Chi-Baba" that Walt heard on the radio and decided would work well with the Fairy Godmother sequence. They finished the songs in March 1949.[44]
At the time, Walt Disney Productions had suffered from losing connections to the European film markets due to the outbreak of World War II, enduring some box office bombs like Pinocchio (1940), Fantasia (1940), and Bambi (1942), all of which would later become more successful with several re-releases in theaters and on home video. At the time, however, the studio was over $4 million in debt and was on the verge of bankruptcy. Walt Disney and his animators turned back to feature film production in 1948 after producing a string of package films with the idea of adapting Charles Perrault's Cendrillon into a motion picture.[6] It is the first Disney film in which all of Disney's Nine Old Men worked together as directing animators.[citation needed] After two years in production, Cinderella was finally released on February 15, 1950. It became the greatest critical and commercial hit for the studio since Snow White and the Seven Dwarfs (1937), and helped reverse the studio's fortunes.[6] It received three Academy Award nominations, including Best Music, Original Song for "Bibbidi-Bobbidi-Boo".[6]
At the time, Walt Disney Productions had suffered from losing connections to the European film markets due to the outbreak of World War II, enduring some box office bombs like Pinocchio (1940), Fantasia (1940), and Bambi (1942), all of which would later become more successful with several re-releases in theaters and on home video. At the time, however, the studio was over $4 million in debt and was on the verge of bankruptcy. Walt Disney and his animators turned back to feature film production in 1948 after producing a string of package films with the idea of adapting Charles Perrault's Cendrillon into a motion picture.[6] It is the first Disney film in which all of Disney's Nine Old Men worked together as directing animators.[citation needed] After two years in production, Cinderella was finally released on February 15, 1950. It became the greatest critical and commercial hit for the studio since Snow White and the Seven Dwarfs (1937), and helped reverse the studio's fortunes.[6] It received three Academy Award nominations, including Best Music, Original Song for "Bibbidi-Bobbidi-Boo".[6]
With the 7 Minute Flat Belly Protocol, online VIP coaching is also a part of the bonus features. You’ll be given 30-day free access to exclusive online coaching in order to get the most out of the program and lose as much weight as possible. Though, the VIP online coaching only lasts for 30 days. After the 30 days, if you’d like to continue with the online coaching, you can subscribe for $29/month for 3 months. After 3 months is up, you’ll gain free access to the online coaching forever.
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Important Disclaimer: The information contained on Health Ambition is intended for informational and educational purposes only. Any statements made on this website have not been evaluated by the FDA and any information or products discussed are not intended to diagnose, cure, treat or prevent any disease or illness. Please consult a healthcare practitioner before making changes to your diet or taking supplements that may interfere with medications.
In many variants of the tale, the prince is told that Cinderella can not possibly be the one, as she is too dirty and ragged. Often, this is said by the stepmother or stepsisters. In the Grimms' version, both the stepmother and the father urge it.[29] The prince nevertheless insists on her trying. Cinderella arrives and proves her identity by fitting into the slipper or other item (in some cases she has kept the other).
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Ella and her parents live a humble but happy life until her mother falls ill. Ella promises to follow her mother's dying wish: to have courage and be kind. Years later, Ella's father marries Lady Tremaine, who has two unpleasant daughters, Drisella and Anastasia. Ella's father leaves on business, and Lady Tremaine reveals her cruel and jealous nature, pushing Ella to give up her bedroom to the stepsisters and move to the attic. When Ella's father unexpectedly dies, Lady Tremaine dismisses the household staff to save money and forces all their chores on Ella. Seeing Ella's face covered in cinders after sleeping by the fireplace, her step-family mockingly dubs her "Cinderella".
By September 1943, Disney had assigned Dick Huemer and Joe Grant to begin work on Cinderella as story supervisors and given a preliminary budget of $1 million.[14] However, by 1945, their preliminary story work was halted.[15] During the writing stages of Song of the South, Dalton S. Reymond and Maurice Rapf quarreled, and Rapf was reassigned to work on Cinderella.[16] In his version, Cinderella was written to be a less passive character than Snow White, and more rebellious against her stepfamily. Rapf explained, "My thinking was you can't have somebody who comes in and changes everything for you. You can't be delivered it on a platter. You've got to earn it. So in my version, the Fairy Godmother said, 'It's okay till midnight but from then on it's up to you.' I made her earn it, and what she had to do to achieve it was to rebel against her stepmother and stepsisters, to stop being a slave in her own home. So I had a scene where they're ordering her around and she throws the stuff back at them. She revolts, so they lock her up in the attic. I don't think anyone took (my idea) very seriously."[17]

However, the characterization of Cinderella received a mixed reception. Bosley Crowther of The New York Times wrote, "The beautiful Cinderella has a voluptuous face and form—not to mention an eager disposition—to compare with Al Capp's Daisy Mae." However, criticizing her role and personality, Crowther opined, "As a consequence, the situation in which they are mutually involved have the constraint and immobility of panel-expressed episodes. When Mr. Disney tries to make them behave like human beings, they're banal."[55] Similarly, Variety claimed the film found "more success in projecting the lower animals than in its central character, Cinderella, who is on the colorless, doll-faced side, as is the Prince Charming."[56]
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Another ball is held the next evening, and Cinderella again attends with her Godmother's help. The Prince has become even more infatuated with the mysterious woman at the ball, and Cinderella in turn becomes so enchanted by him she loses track of time and leaves only at the final stroke of midnight, losing one of her glass slippers on the steps of the palace in her haste. The Prince chases her, but outside the palace, the guards see only a simple country girl leave. The Prince pockets the slipper and vows to find and marry the girl to whom it belongs. Meanwhile, Cinderella keeps the other slipper, which does not disappear when the spell is broken.
However, the second moral of the story mitigates the first one and reveals the criticism that Perrault is aiming at: That "without doubt it is a great advantage to have intelligence, courage, good breeding, and common sense. These, and similar talents come only from heaven, and it is good to have them. However, even these may fail to bring you success, without the blessing of a godfather or a godmother."[22]
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Herodotus, some five centuries before Strabo, records a popular legend about a possibly-related courtesan named Rhodopis in his Histories,[7]:27 claiming that Rhodopis came from Thrace, and was the slave of Iadmon of Samos, and a fellow-slave of the story-teller Aesop and that she was taken to Egypt in the time of Pharaoh Amasis, and freed there for a large sum by Charaxus of Mytilene, brother of Sappho the lyric poet.[7]:27–28[11]

Weight-loss surgery is also available for people with severe obesity whose attempts to lose weight through other medical treatment methods have failed. Most experts agree that bariatric surgery, or surgery to promote weight loss, should be reserved for the morbidly obese (those who have a BMI greater than 40) or those with a BMI of 35 to 40 with obesity-related health problems like cardiovascular disease, diabetes mellitus, hypertension, or severe sleep apnea.
A stroke is an interruption of the blood supply to part of the brain caused by either a blood clot (ischemic) or bleeding (hemorrhagic). Symptoms of a stroke may include: weakness, numbness, double vision or vision loss, confusion, vertigo, difficulty speaking or understanding speech. A physical exam, imaging tests, neurological exam, and blood tests may be used to diagnose a stroke. Treatment may include administration of clot-busting drugs, supportive care, and in some instances, neurosurgery. The risk of stroke can be reduced by controlling high blood pressure, high cholesterol, diabetes, and stopping smoking.
After the release and success of Cinderella, along with Alice in Wonderland, Maleficent, The Jungle Book, Beauty and the Beast, Christopher Robin, Dumbo, Aladdin, The Lion King, and Lady and the Tramp ‍—‌ Walt Disney Pictures has announced the development of several other live-action remakes from their Animated Classics series.[127][128][129][130][131][132][133][134] Since the releases of these nine films, Disney has announced the development of live-action adaptations of Mulan,[135] Pinocchio,[136] Fantasia,[137] The Sword in the Stone,[138] The Black Cauldron,[139] Peter Pan,[140] The Little Mermaid,[141] Snow White and the Seven Dwarfs,[142] Lilo & Stitch,[143] The Hunchback of Notre Dame,[144] Bambi,[145] Robin Hood,[146] and Hercules.[147] The company also has plans for live-action spin-offs of Peter Pan, One Hundred and One Dalmatians and Snow White and the Seven Dwarfs along with live-action prequels to Aladdin and the original Cinderella.[148][149][150][151][152]
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