The girl retreats to the graveyard and asks to be clothed in silver and gold. The white bird drops a gold and silver gown and silk shoes. She goes to the feast. The prince dances with her all the time, and when sunset comes she asks to leave. The prince escorts her home, but she eludes him and jumps inside a pigeon coop. The father came home ahead of time and the prince asks him to chop the pigeon coop down, but Aschenputtel has already escaped. The next day, the girl appears in grander apparel. The prince falls in love with her and dances with her for the whole day, and when sunset comes, the prince tries to accompany her home again. However, she climbs a pear tree to escape him. The Prince calls her father who chops down the tree, wondering if it could be Aschenputtel, but Aschenputtel has disappeared. The third day, she appears dressed in grand finery, with slippers of gold. Now the prince is determined to keep her, and has the entire stairway smeared with pitch. Aschenputtel loses track of time, and when she runs away one of her golden slippers sticks on that pitch. The prince proclaims that he will marry the maiden whose foot fits the golden slipper.
The glass slipper is unique to Charles Perrault's version and its derivatives; in other versions of the tale it may be made of other materials (in the version recorded by the Brothers Grimm, German: Aschenbroedel and Aschenputtel, for instance, it is gold) and in still other tellings, it is not a slipper but an anklet, a ring, or a bracelet that gives the prince the key to Cinderella's identity. In Rossini's opera "La Cenerentola" ("Cinderella"), the slipper is replaced by twin bracelets to prove her identity. In the Finnish variant The Wonderful Birch the prince uses tar to gain something every ball, and so has a ring, a circlet, and a pair of slippers. Some interpreters, perhaps troubled by sartorial impracticalities, have suggested that Perrault's "glass slipper" (pantoufle de verre) had been a "squirrel fur slipper" (pantoufle de vair) in some unidentified earlier version of the tale, and that Perrault or one of his sources confused the words; however, most scholars believe the glass slipper was a deliberate piece of poetic invention on Perrault's part. The 1950 Disney adaptation takes advantage of the slipper being made of glass to add a twist whereby the slipper is shattered just before Cinderella has the chance to try it on, leaving her with only the matching slipper with which to prove her identity.
Outside North America, box office analysts predicted as much as $60 million opening. The film made its debut outside of North America on the same weekend as its wide North American release and earned an estimated $62.4 million from 31 countries, including $4 million from IMAX theaters. It topped the box office for two non-consecutive weekends. It opened in China with $25 million, the biggest March opening in the country, and Russia with $7.3 million. The opening in these two countries were considered impressive given that both the countries are famous for their keenness for 3D films rather than 2D. Other high openings occurred in the UK, Ireland and Malta ($5.6 million), Mexico ($5 million), Japan ($4.8 million), France ($3.3 million), and Brazil ($3.7 million). In Australia, where the release date was coinciding with the Cricket World Cup finale, it managed to open with $3.4 million. Italy opened with $4.6 million and topped the box office for three consecutive weekends. It also topped the Japanese box office for five consecutive weekends. It became the second-highest grossing Disney live-action film in China, behind Pirates of the Caribbean: On Stranger Tides and in the Philippines, behind Maleficent. In total earnings, its largest markets outside of the US and Canada are China ($71.1 million), Japan ($46 million) and the UK, Ireland and Malta ($29.2 million).
In 2008, between US$33 billion and $55 billion was spent annually in the US on weight-loss products and services, including medical procedures and pharmaceuticals, with weight-loss centers taking between 6 and 12 percent of total annual expenditure. Over $1.6 billion a year was spent on weight-loss supplements. About 70 percent of Americans' dieting attempts are of a self-help nature.
Although the story's title and main character's name change in different languages, in English-language folklore Cinderella is an archetypal name. The word Cinderella has, by analogy, come to mean one whose attributes were unrecognized: one who unexpectedly achieves recognition or success after a period of obscurity and neglect. The still-popular story of Cinderella continues to influence popular culture internationally, lending plot elements, allusions, and tropes to a wide variety of media. The Aarne–Thompson–Uther system classifies Cinderella as Tale Type 510A, Persecuted Heroine.:24–26
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Walt Disney hired actress Helene Stanley to perform the live-action reference for Cinderella, that she before artists began sketching, playing the role of Cinderella in a particular scene, and artists to draw animated frames based on the movements of the actress. She later did the same kind of work for the characters of Princess Aurora in Sleeping Beauty and Anita Radcliff in One Hundred and One Dalmatians. Animators modeled Prince Charming on actor Jeffrey Stone, who also provided some additional voices for the film. Mary Alice O'Connor served as the live-action reference for the Fairy Godmother.
Any fitness activities you do throughout the day are added to your BMR (basal metabolic rate) to determine the total number of calories you burn each day. For example, a 170-pound person who spends 45 minutes walking briskly will burn about 300 calories. The same time spent on housecleaning burns about 200 calories, and mowing the lawn for 45 minutes consumes around 275 calories.