Giambattista Basile, an Italian soldier and government official, assembled a set of oral folk tales into a written collection titled Lo cunto de li cunti (The Story of Stories), or Pentamerone. It included the tale of Cenerentola, which features a wicked stepmother and evil stepsisters, magical transformations, a missing slipper, and a hunt by a monarch for the owner of the slipper. It was published posthumously in 1634.


The oldest known oral version of the Cinderella story is the ancient Greek story of Rhodopis,[5][8] a Greek courtesan living in the colony of Naucratis in Egypt, whose name means "Rosy-Cheeks". The story is first recorded by the Greek geographer Strabo in his Geographica (book 17, 33), The eagle snatched one of her sandals from her maid and carried it to Memphis; and while the king was administering justice in the open air, the eagle, when it arrived above his head, flung the sandal into his lap; and the king, stirred both by the beautiful shape of the sandal and by the strangeness of the occurrence, sent men in all directions into the country in quest of the woman who wore the sandal; and when she was found in the city of Naucratis, she was brought up to Memphis, became the wife of the king ...[9]
Another interpretation of verre/vair (glass/fur) suggested a sexual element—the Prince was 'trying on' the 'fur slipper' (vagina) of the maidens in the kingdom, as a 'Droit du seigneur' right of sexual possession of his subjects. The disguised Cinderella's 'fur slipper' was of unique appeal to the Prince who sought her thereafter through sexual congress (a variety of sources including Joan Gould).
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Ella and her parents live a humble but happy life until her mother falls ill. Ella promises to follow her mother's dying wish: to have courage and be kind. Years later, Ella's father marries Lady Tremaine, who has two unpleasant daughters, Drisella and Anastasia. Ella's father leaves on business, and Lady Tremaine reveals her cruel and jealous nature, pushing Ella to give up her bedroom to the stepsisters and move to the attic. When Ella's father unexpectedly dies, Lady Tremaine dismisses the household staff to save money and forces all their chores on Ella. Seeing Ella's face covered in cinders after sleeping by the fireplace, her step-family mockingly dubs her "Cinderella".

By September 1943, Disney had assigned Dick Huemer and Joe Grant to begin work on Cinderella as story supervisors and given a preliminary budget of $1 million.[14] However, by 1945, their preliminary story work was halted.[15] During the writing stages of Song of the South, Dalton S. Reymond and Maurice Rapf quarreled, and Rapf was reassigned to work on Cinderella.[16] In his version, Cinderella was written to be a less passive character than Snow White, and more rebellious against her stepfamily. Rapf explained, "My thinking was you can't have somebody who comes in and changes everything for you. You can't be delivered it on a platter. You've got to earn it. So in my version, the Fairy Godmother said, 'It's okay till midnight but from then on it's up to you.' I made her earn it, and what she had to do to achieve it was to rebel against her stepmother and stepsisters, to stop being a slave in her own home. So I had a scene where they're ordering her around and she throws the stuff back at them. She revolts, so they lock her up in the attic. I don't think anyone took (my idea) very seriously."[17]
Categories: 1950 filmsEnglish-language filmsCinderella (franchise)1950 animated films1950s American animated films1950s romantic fantasy films1950s romantic musical filmsAmerican filmsAmerican children's animated fantasy filmsAmerican romantic fantasy filmsAmerican romantic musical filmsAnimated films featuring female antagonistsAnimated musical filmsAnimated romance films1950s children's fantasy filmsFilms about fairies and spritesFilms about princessesFilms about royaltyFilms about wish fulfillmentFilms about weddingsFilms based on Charles Perrault's CinderellaFilms directed by Clyde GeronimiFilms directed by Hamilton LuskeFilms directed by Wilfred JacksonFilms featuring anthropomorphic miceFilms produced by Walt DisneyFilms set in FranceGolden Bear winnersRotoscoped filmsFilms scored by Paul Smith (film and television composer)Films scored by Oliver WallaceWalt Disney Animation Studios filmsWalt Disney Pictures filmsUnited States National Film Registry films1950s children's animated films
Lifestyle and work habits partially determine how many calories we need to eat each day. Someone whose job involves heavy physical labor will naturally burn more calories in a day than someone who sits at a desk most of the day (a sedentary job). For people who do not have jobs that require intense physical activity, exercise or increased physical activity can increase the number of calories burned.
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