A second predecessor for the Cinderella character, hailing from late Antiquity, may be Aspasia of Phocaea. Her story is told in Aelian's Varia Storia: orphaned in early childhood and raised by her father, Aspasia, despite living in poverty, has dreamt of meeting a noble man. As she dozes off, the girl has a vision of a dove transforming into a woman, who instructs her on how to remove a physical imperfection and restore her own beauty. In another episode, she and other courtesans are made to attend a feast hosted by Persian regent Cyrus the Younger. During the banquet, the Persian King sets his sights on Aspasia herself and ignores the other women.[12][13]
By early 1948, Cinderella had progressed further than Alice in Wonderland, and was fast-tracked to become the first full-length animated film since Bambi.[18] During a story meeting on January 15, 1948, the cat-and-mouse sequences began to grow into an important element in the film so much that Disney placed veteran story artist Bill Peet in charge of the cat-and-mouse segments.[22]

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^ Evert, Alison B.; Dennison, Michelle; Gardner, Christopher D.; Garvey, W. Timothy; Lau, Ka Hei Karen; MacLeod, Janice; Mitri, Joanna; Pereira, Raquel F.; Rawlings, Kelly; Robinson, Shamera; Saslow, Laura; Uelmen, Sacha; Urbanski, Patricia B.; Yancy, William S. (May 2019). "Nutrition Therapy for Adults With Diabetes or Prediabetes: A Consensus Report". Diabetes Care (Professional society guidelines). 42 (5): 731–754. doi:10.2337/dci19-0014. PMC 7011201. PMID 31000505.
The next morning, the prince goes to Aschenputtel's house and tries the slipper on the eldest stepsister. The sister was advised by her mother to cut off her toes in order to fit the slipper. While riding with the stepsister, the two doves from Heaven tell the Prince that blood drips from her foot. Appalled by her treachery, he goes back again and tries the slipper on the other stepsister. She cut off part of her heel in order to get her foot in the slipper, and again the prince is fooled. While riding with her to the king's castle, the doves alert him again about the blood on her foot. He comes back to inquire about another girl. The gentleman tells him that they keep a kitchen-maid in the house – omitting to mention that she is his own daughter – and the prince asks him to let her try on the slipper. Aschenputtel appears after washing herself, and when she puts on the slipper, the prince recognizes her as the stranger with whom he has danced at the ball.
Cinderella's stepmother and stepsisters (in some versions just the stepsisters and, in some other versions, a stepfather and stepsisters) conspire to win the prince's hand for one of them. In the German telling, the first stepsister fits into the slipper by cutting off a toe, but the doves in the hazel tree alert the prince to the blood dripping from the slipper, and he returns the false bride to her mother. The second stepsister fits into the slipper by cutting off her heel, but the same doves give her away.
In the 1988 video, instead of the original RKO logo, the film opens with the complete Walt Disney Pictures logo, with the Walt Disney Pictures theme replacing part of the title song. For the 1995 video, the portion of the song was restored, but a Buena Vista credit replaced the RKO logo. (The 1995 laserdisc used the original RKO logo; the familiar blue logo appears before and after the film, but not replacing any part. In the 2012 Blu-Ray/DVD, the familiar blue logo wasn't used at all and the original RKO logo was restored.) For the 2005 DVD, the movie opens with a shortened Walt Disney Pictures logo accompanied by the part of the song that played with the RKO logo. See more »

^ Evert, Alison B.; Dennison, Michelle; Gardner, Christopher D.; Garvey, W. Timothy; Lau, Ka Hei Karen; MacLeod, Janice; Mitri, Joanna; Pereira, Raquel F.; Rawlings, Kelly; Robinson, Shamera; Saslow, Laura; Uelmen, Sacha; Urbanski, Patricia B.; Yancy, William S. (May 2019). "Nutrition Therapy for Adults With Diabetes or Prediabetes: A Consensus Report". Diabetes Care (Professional society guidelines). 42 (5): 731–754. doi:10.2337/dci19-0014. PMC 7011201. PMID 31000505.
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The twelfth-century AD lai of Le Fresne ("The Ash-Tree Girl"), retold by Marie de France, is a variant of the "Cinderella" story[7]:41 in which a wealthy noblewoman abandons her infant daughter at the base of an ash tree outside a nunnery with a ring and brocade as tokens of her identity,[7]:41 because she is one of twin sisters[7]:41 the mother fears that she will be accused of infidelity[7]:41 (according to popular belief, twins were evidence of two different fathers).[14] The infant is discovered by the porter, who names her Fresne, meaning "Ash Tree",[7]:41 and she is raised by the nuns.[7]:41 After she has attained maturity, a young nobleman sees her and becomes her lover.[7]:41 The nobleman, however, is forced to marry a woman of noble birth.[7]:41 Fresne accepts that she will never marry her beloved,[7]:41 but waits in the wedding chamber as a handmaiden.[7]:41 She covers the bed with her own brocade,[7]:41 but, unbeknownst to her, her beloved's bride is actually her twin sister,[7]:41 and her mother recognizes the brocade as the same one she had given to the daughter she had abandoned so many years before.[7]:41 Fresne's true parentage is revealed[7]:41 and, as a result of her noble birth, she is allowed to marry her beloved,[7]:41 while her twin sister is married to a different nobleman.[7]:41
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Cinderella is a 1950 American animated musical fantasy film produced by Walt Disney and originally released by RKO Radio Pictures. Based on the fairy tale Cinderella by Charles Perrault, it is the twelfth Disney animated feature film. The film was directed by Clyde Geronimi, Hamilton Luske, and Wilfred Jackson. Mack David, Jerry Livingston, and Al Hoffman wrote the songs, which include "Cinderella", "A Dream Is a Wish Your Heart Makes", "Sing Sweet Nightingale", "The Work Song", "Bibbidi-Bobbidi-Boo", and "So This is Love". It features the voices of Ilene Woods, Eleanor Audley, Verna Felton, Rhoda Williams, James MacDonald, Luis van Rooten, Don Barclay, Mike Douglas, William Phipps, and Lucille Bliss.
The first written European version of the story was published in Naples, Italy, by Giambattista Basile, in his Pentamerone (1634). The story itself was set in the Kingdom of Naples, at that time the most important political and cultural center of Southern Italy and among the most influential capitals in Europe, and written in the Neapolitan dialect. It was later retold, along with other Basile tales, by Charles Perrault in Histoires ou contes du temps passé (1697),[6] and by the Brothers Grimm in their folk tale collection Grimms' Fairy Tales (1812).
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Many patients will be in pain and have a loss of appetite after surgery.[47] Part of the body's response to surgery is to direct energy to wound healing, which increases the body's overall energy requirements.[47] Surgery affects nutritional status indirectly, particularly during the recovery period, as it can interfere with wound healing and other aspects of recovery.[47][51] Surgery directly affects nutritional status if a procedure permanently alters the digestive system.[47] Enteral nutrition (tube feeding) is often needed.[47] However a policy of 'nil by mouth' for all gastrointestinal surgery has not been shown to benefit, with some weak evidence suggesting it might hinder recovery.[58]

In 1946, story artist and part-time lyricist Larry Morey joined studio music director Charles Walcott to compose the songs. Cinderella would sing three songs: "Sing a Little, Dream a Little" while overloaded with work, "The Mouse Song" as she dressed the mice, and "The Dress My Mother Wore" as she fantasizes about her mother's old wedding dress. In an effort to recycle an unused fantasy sequence from Snow White, the song, "Dancing on a Cloud" was used as Cinderella and the Prince waltz during the ball. After the ball, she would sing "I Lost My Heart at the Ball" and the Prince would sing "The Face That I See in the Night." However, none of their songs were used.[17]
For some people, due to genetic (inherited) factors or other health conditions, the resting metabolic rate (RMR) can be slightly higher or lower than average. Our weight also plays a role in determining how many calories we burn at rest -- the more calories are required to maintain your body in its present state, the greater your body weight. A 100-pound person requires less energy (food) to maintain body weight than a person who weighs 200 pounds.
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