Anorexia is an eating disorder characterized by markedly reduced appetite or total aversion to food. Anorexia is a serious psychological disorder and is a condition that goes well beyond out-of-control dieting. With anorexia, the drive to become thinner is actually secondary to concerns about control and/or fears relating to one's body. There are psychological and behavioral symptoms as well as physical symptoms of anorexia including: depression, social withdrawal, fatigue, food obsession, heart and gastrointestinal complications, kidney function, flaky skin, brittle nails, and tooth loss (this list is not exhaustive).
For the glass slipper, Powell took inspiration from a 1950s shoe she saw in a museum. Since glass does not sparkle, they decided to use crystal instead. Swarovski partnered with Disney to make the famous shoe. Powell went directly to Swarovski headquarters in Austria to meet the product developers. It took 6 digital renderings of the shoes until they found the right one for the film. Swarovski made eight pairs of crystal shoes for the film, though none were actually wearable. Consequently, the leather shoes James wore on set had to be digitally altered into crystal. Alongside the slipper, Swarovski provided more than 7 million crystals that were used in costumes and 100 tiaras for the ball scene.[31]
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The glass slipper is unique to Charles Perrault's version and its derivatives; in other versions of the tale it may be made of other materials (in the version recorded by the Brothers Grimm, German: Aschenbroedel and Aschenputtel, for instance, it is gold) and in still other tellings, it is not a slipper but an anklet, a ring, or a bracelet that gives the prince the key to Cinderella's identity. In Rossini's opera "La Cenerentola" ("Cinderella"), the slipper is replaced by twin bracelets to prove her identity. In the Finnish variant The Wonderful Birch the prince uses tar to gain something every ball, and so has a ring, a circlet, and a pair of slippers. Some interpreters, perhaps troubled by sartorial impracticalities, have suggested that Perrault's "glass slipper" (pantoufle de verre) had been a "squirrel fur slipper" (pantoufle de vair) in some unidentified earlier version of the tale, and that Perrault or one of his sources confused the words; however, most scholars believe the glass slipper was a deliberate piece of poetic invention on Perrault's part.[28] The 1950 Disney adaptation takes advantage of the slipper being made of glass to add a twist whereby the slipper is shattered just before Cinderella has the chance to try it on, leaving her with only the matching slipper with which to prove her identity.
At the ball, the entire court is entranced by Ella. She dances with Kit, much to the chagrin of the Grand Duke who has already promised Kit to Princess Chelina of Zaragoza, which Lady Tremaine overhears. Though surprised at Kit's true identity, Ella and the prince bond. Before Ella can tell Kit her name, the clock chimes midnight and she flees the palace, losing one of her slippers. Pursued by the Grand Duke and his men, Ella manages to escape home before the final stroke of midnight; the spell dissipates and everything reverts back to its true form. Ella hides the remaining slipper under her bedroom floorboards.
First, you’ll be introduced to the Venus community – women who have followed the Venus Factor method and remained friends. The book is full of uplifting and motivating success stories which makes it feel like you’re embarking on this journey with friends. This community of women is a reoccurring theme throughout the package and one of its biggest selling points for me. If they can do it, so can you!
However, the characterization of Cinderella received a mixed reception. Bosley Crowther of The New York Times wrote, "The beautiful Cinderella has a voluptuous face and form—not to mention an eager disposition—to compare with Al Capp's Daisy Mae." However, criticizing her role and personality, Crowther opined, "As a consequence, the situation in which they are mutually involved have the constraint and immobility of panel-expressed episodes. When Mr. Disney tries to make them behave like human beings, they're banal."[55] Similarly, Variety claimed the film found "more success in projecting the lower animals than in its central character, Cinderella, who is on the colorless, doll-faced side, as is the Prince Charming."[56]
In 1951, the film received three Academy Award nominations for Best Sound (C. O. Slyfield) lost to All About Eve, Best Music, Scoring of a Musical Picture (Oliver Wallace and Paul J. Smith) lost to Annie Get Your Gun and Best Music, Original Song for "Bibbidi-Bobbidi-Boo" (Mack David, Jerry Livingston, and Al Hoffman) lost to Captain Carey, U.S.A..[6][76] At the 1st Berlin International Film Festival it won the Golden Bear (Music Film) award and the Big Bronze Plate award.[77]
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By making just some of the dietary cutbacks mentioned and starting some moderate exercise, this individual can easily "save" the 3,500 calories per week needed for a 1-pound weight loss, leading to a healthy rate of weight loss without extreme denial or deprivation. Furthermore, her changes in diet and lifestyle are small and gradual, modifications that she can maintain over time.

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Decades later, it was followed by two direct-to-video sequels, Cinderella II: Dreams Come True (2002) and Cinderella III: A Twist in Time (2007),[6] and a 2015 live-action adaptation directed by Kenneth Branagh.[7] The castle is duplicated at Magic Kingdom park in Disney World and with Sleeping Beauty Castle at the center of Disneyland is the basis for one of the production logos for Walt Disney Pictures.[6] In 2018, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[8]
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Although the story's title and main character's name change in different languages, in English-language folklore Cinderella is an archetypal name. The word Cinderella has, by analogy, come to mean one whose attributes were unrecognized: one who unexpectedly achieves recognition or success after a period of obscurity and neglect. The still-popular story of Cinderella continues to influence popular culture internationally, lending plot elements, allusions, and tropes to a wide variety of media. The Aarne–Thompson–Uther system classifies Cinderella as Tale Type 510A, Persecuted Heroine.[7]:24–26


By 1950, the Animation Board—which had been established as early as 1940 to help with the management of the animation department—had settled down to nine supervising animators. Although they were still in their thirties, they were jokingly referred by Walt Disney as the "Nine Old Men" after President Franklin D. Roosevelt's denigration of the Supreme Court.[36][37] Including Norman Ferguson, the principal animators included Les Clark, Marc Davis, Ollie Johnston, Milt Kahl, Ward Kimball, Eric Larson, John Lounsbery, Frank Thomas, and Wolfgang Reitherman.[38]
In a coda added in the second edition of 1819, during Aschenputtel's wedding, as she walks down the aisle with her stepsisters as her bridesmaids, (they had hoped to worm their way into her favour), the doves fly down and strike the two stepsisters' eyes, one in the left and the other in the right. When the wedding comes to an end, and Aschenputtel and her prince march out of the church, the doves fly again, striking the remaining eyes of the two evil sisters blind, a punishment they had to endure for the rest of their lives.[23]

The King dies, but not before giving his son permission to marry Ella. Now King, Kit issues a royal proclamation professing his love for the “mystery princess” and requests she present herself. Ella hurries to retrieve the glass slipper to prove her identity, only to find it with her stepmother. Having deduced that Ella is the mystery princess, Lady Tremaine attempts to blackmail Ella to make her head of the royal household and find respectable husbands for her stepsisters, in exchange for giving Ella's hand in marriage to Kit. Ella refuses, and Lady Tremaine smashes the slipper and locks Ella in the attic. She brings the shattered remains of the slipper to the Grand Duke, who agrees to make her a countess and secure marriages for her daughters in exchange for keeping Ella hidden.


Cinderella grossed $201.2 million in the US and Canada, and $341.2 million in other countries, for a worldwide total of $542.4 million against a budget of $100 million.[5][6] It is the twelfth highest-grossing film of 2015 in any genre.[62] The film had a worldwide opening of $132.45 million,[63] and an IMAX opening of $9 million.[64] Deadline Hollywood calculated the net profit of the film to be $164.77 million, when factoring together all expenses and revenues for the film.[65]
I’ve got to say, I’m really impressed with the workout system provided by the Venus Factor. The plan is built around a variety of basic strength-building moves. You need to do these three times a week for the duration of the program. Nothing too intense – don’t worry, you’re not going to end up looking like a female Arnold Schwarzenegger with this program (unless you want to – you’re free to up the intensity!).
The mind behind the program is a former SWAT member, Todd Lamb. He is an expert in the fitness world and has written many fitness guides for men and women. According to him, he gained a lot of weight after his wife died in a car accident. One day, he came up with a weight loss program in order to shed the extra pounds. He takes pride of this guidebook because it has helped many users in their goals to become slimmer and healthier.
The king decides to ordain a festival that will last for three days and invites all the beautiful maidens in the land to attend so that the prince can select one of them for his bride. The two sisters are also invited, but when Aschenputtel begs them to allow her to go with them into the celebration, the stepmother refuses because she has no decent dress nor shoes to wear. When the girl insists, the woman throws a dish of lentils into the ashes for her to pick up, guaranteeing her permission to attend the festival, if she can clean up the lentils in two hours. When the girl accomplished the task in less than an hour with the help of a flock of white doves that came when she sang a certain chant, the stepmother only redoubles the task and throws down even a greater quantity of lentils. When Aschenputtel is able to accomplish it in a greater speed, not wanting to spoil her daughters' chances, the stepmother hastens away with her husband and daughters to the celebration and leaves the crying stepdaughter behind.
Several different variants of the story appear in the medieval One Thousand and One Nights, also known as the Arabian Nights, including "The Second Shaykh's Story", "The Eldest Lady's Tale" and "Abdallah ibn Fadil and His Brothers", all dealing with the theme of a younger sibling harassed by two jealous elders. In some of these, the siblings are female, while in others, they are male. One of the tales, "Judar and His Brethren", departs from the happy endings of previous variants and reworks the plot to give it a tragic ending instead, with the younger brother being poisoned by his elder brothers.[17]
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Contemporary reviews have remained positive. Roger Ebert of the Chicago Sun-Times awarded the film three out of four stars.[57] Jonathan Rosenbaum of the Chicago Reader wrote the film "shows Disney at the tail end of his best period, when his backgrounds were still luminous with depth and detail and his incidental characters still had range and bite."[58] The review aggregator website Rotten Tomatoes reported the film received an approval rating of 97% based on 33 reviews with an average score of 7.81/10. The website's critical consensus reads, "The rich colors, sweet songs, adorable mice and endearing (if suffering) heroine make Cinderella a nostalgically lovely charmer".[59]
By the late 1940s, Disney's involvement during production had shrunken noticeably. As he was occupied with trains and the filming of Treasure Island, the directors were left to exercise their own judgment more on details.[23] Although Disney no longer held daily story meetings, the three directors still communicated with him by mailing him memoranda, scripts, Photostats of storyboards, and acetates of soundtrack recordings while he was in England for two and a half months during the summer of 1949. When Disney did not respond, work resumed and then had to be undone when he did.[24] In one instance when Disney returned to the studio on August 29, he reviewed Luske's animation sequences and ordered numerous minor changes, as well as a significant reworking of the film's climax. Production was finished by October 13, 1949.[25]
By September 1943, Disney had assigned Dick Huemer and Joe Grant to begin work on Cinderella as story supervisors and given a preliminary budget of $1 million.[14] However, by 1945, their preliminary story work was halted.[15] During the writing stages of Song of the South, Dalton S. Reymond and Maurice Rapf quarreled, and Rapf was reassigned to work on Cinderella.[16] In his version, Cinderella was written to be a less passive character than Snow White, and more rebellious against her stepfamily. Rapf explained, "My thinking was you can't have somebody who comes in and changes everything for you. You can't be delivered it on a platter. You've got to earn it. So in my version, the Fairy Godmother said, 'It's okay till midnight but from then on it's up to you.' I made her earn it, and what she had to do to achieve it was to rebel against her stepmother and stepsisters, to stop being a slave in her own home. So I had a scene where they're ordering her around and she throws the stuff back at them. She revolts, so they lock her up in the attic. I don't think anyone took (my idea) very seriously."[17]
By the late 1940s, Disney's involvement during production had shrunken noticeably. As he was occupied with trains and the filming of Treasure Island, the directors were left to exercise their own judgment more on details.[23] Although Disney no longer held daily story meetings, the three directors still communicated with him by mailing him memoranda, scripts, Photostats of storyboards, and acetates of soundtrack recordings while he was in England for two and a half months during the summer of 1949. When Disney did not respond, work resumed and then had to be undone when he did.[24] In one instance when Disney returned to the studio on August 29, he reviewed Luske's animation sequences and ordered numerous minor changes, as well as a significant reworking of the film's climax. Production was finished by October 13, 1949.[25]
A version of the story, Ye Xian, appeared in Miscellaneous Morsels from Youyang written by Duan Chengshi around 860.[15] In this version, Ye Xian is the daughter of the local tribal leader who died when she was young. Because her mother died before her father, she is now under the care of her father's second wife, who abused her. She befriends a fish, which is the reincarnation of her deceased mother.[15] Her stepmother and half-sister kill the fish, but Ye Xian finds the bones, which are magical, and they help her dress appropriately for a local Festival, including a very light golden shoe.[15] Her stepfamily recognizes her at the festival, causing her to flee and accidentally lose the shoe. Afterwards, the king of another sea island obtains the shoe and is curious about it as no one has feet that can fit the shoe. The King searches everywhere and finally reaches Ye's house, where she tries on the shoe. The king realises she is the one and takes her back to his kingdom. Her cruel stepmother and half-sister are killed by flying fish.[16] Variants of the story are also found in many ethnic groups in China.[15]
Cate Blanchett was the first actor to sign on, when it was announced in November 2012 that she would be playing Lady Tremaine, Cinderella's evil stepmother.[15] In March 2013, Emma Watson was in talks to play Cinderella, but a deal could not be worked out.[16][17] Watson went on to play Belle in Disney's 2017 film Beauty and the Beast.[18] Gabriella Wilde, Saoirse Ronan, Alicia Vikander, Bella Heathcote and Margot Robbie were also considered for the part, but deals could not be worked out due to scheduling and other conflicts.[17][19]
Outside North America, box office analysts predicted as much as $60 million opening.[77] The film made its debut outside of North America on the same weekend as its wide North American release and earned an estimated $62.4 million from 31 countries,[63] including $4 million from IMAX theaters.[64] It topped the box office for two non-consecutive weekends.[78] It opened in China with $25 million, the biggest March opening in the country,[63] and Russia with $7.3 million.[63] The opening in these two countries were considered impressive given that both the countries are famous for their keenness for 3D films rather than 2D.[63] Other high openings occurred in the UK, Ireland and Malta ($5.6 million), Mexico ($5 million), Japan ($4.8 million), France ($3.3 million), and Brazil ($3.7 million).[78][79] In Australia, where the release date was coinciding with the Cricket World Cup finale, it managed to open with $3.4 million.[78] Italy opened with $4.6 million and topped the box office for three consecutive weekends.[63][78] It also topped the Japanese box office for five consecutive weekends.[80] It became the second-highest grossing Disney live-action film in China, behind Pirates of the Caribbean: On Stranger Tides and in the Philippines, behind Maleficent.[81] In total earnings, its largest markets outside of the US and Canada are China ($71.1 million), Japan ($46 million) and the UK, Ireland and Malta ($29.2 million).[80][82][83]

The translation of the story into cultures with different standards of beauty has left the significance of Cinderella's shoe size unclear, and resulted in the implausibility of Cinderella's feet being of a unique size for no particular reason. Humorous retellings of the story sometimes use the twist of having the shoes turn out to also fit somebody completely unsuitable, such as an amorous old crone. In Terry Pratchett's Witches Abroad, the witches accuse another witch of manipulating the events because it was a common shoe size, and she could only ensure that the right woman put it on if she already knew where she was and went straight to her. In "When the Clock Strikes" (from Red As Blood), Tanith Lee had the sorcerous shoe alter shape whenever a woman tried to put it on, so it would not fit.
As for the exercise regime, it includes various types of movements designed to target the stomach area to finally eliminate your stubborn belly fat. While there are dates of the week attached to each protocol, you can pick and choose which ones you want to do, as long as you’re doing 1 full protocol each day, which only requires 7-minutes to complete. As for the type of exercise movements, they’re all based on the movements that SWAT teams, military members, and police officers use to ensure they’re stamina and strength, which leads me into the next topic…
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Cinderella grossed $201.2 million in the US and Canada, and $341.2 million in other countries, for a worldwide total of $542.4 million against a budget of $100 million.[5][6] It is the twelfth highest-grossing film of 2015 in any genre.[62] The film had a worldwide opening of $132.45 million,[63] and an IMAX opening of $9 million.[64] Deadline Hollywood calculated the net profit of the film to be $164.77 million, when factoring together all expenses and revenues for the film.[65]
The same story is also later reported by the Roman orator Aelian (ca. 175–ca. 235) in his Miscellaneous History, which was written entirely in Greek. Aelian's story closely resembles the story told by Strabo, but adds that the name of the pharaoh in question was Psammetichus.[10] Aelian's account indicates that the story of Rhodopis remained popular throughout antiquity.
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Cinderella is a 2015 romantic fantasy film directed by Kenneth Branagh, with a screenplay written by Chris Weitz, and co-produced by Walt Disney Pictures, Kinberg Genre, Allison Shearmur Productions, and Beagle Pug Films. The film is based on the eponymous folk tale and is a live action adaptation of Walt Disney's 1950 animated film of the same name.[1] It features Lily James as the eponymous character, with Cate Blanchett, Richard Madden, Stellan Skarsgård, Holliday Grainger, Derek Jacobi, and Helena Bonham Carter.

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