Cinderella grossed $201.2 million in the US and Canada, and $341.2 million in other countries, for a worldwide total of $542.4 million against a budget of $100 million. It is the twelfth highest-grossing film of 2015 in any genre. The film had a worldwide opening of $132.45 million, and an IMAX opening of $9 million. Deadline Hollywood calculated the net profit of the film to be $164.77 million, when factoring together all expenses and revenues for the film.
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A second predecessor for the Cinderella character, hailing from late Antiquity, may be Aspasia of Phocaea. Her story is told in Aelian's Varia Storia: orphaned in early childhood and raised by her father, Aspasia, despite living in poverty, has dreamt of meeting a noble man. As she dozes off, the girl has a vision of a dove transforming into a woman, who instructs her on how to remove a physical imperfection and restore her own beauty. In another episode, she and other courtesans are made to attend a feast hosted by Persian regent Cyrus the Younger. During the banquet, the Persian King sets his sights on Aspasia herself and ignores the other women.
By September 1943, Disney had assigned Dick Huemer and Joe Grant to begin work on Cinderella as story supervisors and given a preliminary budget of $1 million. However, by 1945, their preliminary story work was halted. During the writing stages of Song of the South, Dalton S. Reymond and Maurice Rapf quarreled, and Rapf was reassigned to work on Cinderella. In his version, Cinderella was written to be a less passive character than Snow White, and more rebellious against her stepfamily. Rapf explained, "My thinking was you can't have somebody who comes in and changes everything for you. You can't be delivered it on a platter. You've got to earn it. So in my version, the Fairy Godmother said, 'It's okay till midnight but from then on it's up to you.' I made her earn it, and what she had to do to achieve it was to rebel against her stepmother and stepsisters, to stop being a slave in her own home. So I had a scene where they're ordering her around and she throws the stuff back at them. She revolts, so they lock her up in the attic. I don't think anyone took (my idea) very seriously."
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The oldest known oral version of the Cinderella story is the ancient Greek story of Rhodopis, a Greek courtesan living in the colony of Naucratis in Egypt, whose name means "Rosy-Cheeks". The story is first recorded by the Greek geographer Strabo in his Geographica (book 17, 33), The eagle snatched one of her sandals from her maid and carried it to Memphis; and while the king was administering justice in the open air, the eagle, when it arrived above his head, flung the sandal into his lap; and the king, stirred both by the beautiful shape of the sandal and by the strangeness of the occurrence, sent men in all directions into the country in quest of the woman who wore the sandal; and when she was found in the city of Naucratis, she was brought up to Memphis, became the wife of the king ...
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Into the Woods, a musical with music and lyrics by Stephen Sondheim and book by James Lapine, includes Cinderella as one of the many fairy-tale characters in the plot. This is partly based on the Grimm Brothers' version of "Cinderella", including the enchanted birds, mother's grave, three balls, and mutilation and blinding of the stepsisters. It opened on Broadway in 1988 and has had many revivals.
Another interpretation of verre/vair (glass/fur) suggested a sexual element—the Prince was 'trying on' the 'fur slipper' (vagina) of the maidens in the kingdom, as a 'Droit du seigneur' right of sexual possession of his subjects. The disguised Cinderella's 'fur slipper' was of unique appeal to the Prince who sought her thereafter through sexual congress (a variety of sources including Joan Gould).
Cinderella by Rodgers and Hammerstein was produced for television three times and staged live in various productions. A version ran in 1958 at the London Coliseum with a cast including Tommy Steele, Yana, Jimmy Edwards, Kenneth Williams and Betty Marsden. This version was augmented with several other Rodgers and Hammerstein's songs plus a song written by Tommy Steele, "You and Me". In 2013, a Broadway production opened, with a new book by Douglas Carter Beane, and ran for 770 performances.
David Rooney of The Hollywood Reporter reviewed the film at the Berlin Film Festival and praised the special effects, the screenplay, and Blanchett's performance and said that "anyone nostalgic for childhood dreams of transformation will find something to enjoy in an uplifting movie that invests warm sentiment in universal themes of loss and resilience, experience and maturity." Peter Debruge of Variety said, "It's all a bit square, big on charm, but lacking the crackle of Enchanted or The Princess Bride. But though this Cinderella could never replace Disney's animated classic, it's no ugly stepsister either, but a deserving companion." Guy Lodge of The Guardian gave the film three stars out of five and said, "While it might have been nice to see the new-model Cinderella follow Frozen's progressive, quasi-feminist lead, the film's naff, preserved-in-amber romanticism is its very charm." Scott Mendelson of Forbes admired the film's visual effects, production design, and called the costume design as Oscar-worthy, adding, "with an emphasis on empathy and empowerment, Walt Disney's Cinderella is the best film yet in their 'turn our animated classics into live-action blockbuster' subgenre."
The next morning, the prince goes to Aschenputtel's house and tries the slipper on the eldest stepsister. The sister was advised by her mother to cut off her toes in order to fit the slipper. While riding with the stepsister, the two doves from Heaven tell the Prince that blood drips from her foot. Appalled by her treachery, he goes back again and tries the slipper on the other stepsister. She cut off part of her heel in order to get her foot in the slipper, and again the prince is fooled. While riding with her to the king's castle, the doves alert him again about the blood on her foot. He comes back to inquire about another girl. The gentleman tells him that they keep a kitchen-maid in the house – omitting to mention that she is his own daughter – and the prince asks him to let her try on the slipper. Aschenputtel appears after washing herself, and when she puts on the slipper, the prince recognizes her as the stranger with whom he has danced at the ball.
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Herodotus, some five centuries before Strabo, records a popular legend about a possibly-related courtesan named Rhodopis in his Histories,:27 claiming that Rhodopis came from Thrace, and was the slave of Iadmon of Samos, and a fellow-slave of the story-teller Aesop and that she was taken to Egypt in the time of Pharaoh Amasis, and freed there for a large sum by Charaxus of Mytilene, brother of Sappho the lyric poet.:27–28
In 1804 Cinderella was presented at Drury Lane Theatre, London, described as "A new Grand Allegorical Pantomimic Spectacle" though it was very far in style and content from the modern pantomime. However, it included notable clown Joseph Grimaldi playing the part of a servant called Pedro, the antecedant of today's character Buttons. In 1820 Harlequin and Cinderella at the Theatre Royal, Covent Garden had much of the modern story (taken from the opera La Cenerentola) by Rossini but was a Harlequinade again featuring Grimaldi. In 1830 Rophino Lacy used Rossini's music but with spoken dialogue in a comic opera with many of the main characters: the Baron, the two stepsisters and Pedro the servant all as comic characters, plus a Fairy Queen instead of a magician. However it was the conversion of this via burlesque and rhyming couplets by Henry Byron which led to what was effectively the modern pantomime in both story and style at the Royal Strand Theatre in 1860: Cinderella! Or the Lover, the Lackey, and the Little Glass Slipper.
The Prince tries the slipper on all the women in the kingdom. When the Prince arrives at Cinderella's home, the stepsisters try in vain to win him over. Cinderella asks if she may try, but the stepsisters taunt her. Naturally, the slipper fits perfectly, and Cinderella produces the other slipper for good measure. Cinderella's stepfamily pleads for forgiveness, and Cinderella agrees. Cinderella had hoped her step-family would love her always.
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^ Evert, Alison B.; Dennison, Michelle; Gardner, Christopher D.; Garvey, W. Timothy; Lau, Ka Hei Karen; MacLeod, Janice; Mitri, Joanna; Pereira, Raquel F.; Rawlings, Kelly; Robinson, Shamera; Saslow, Laura; Uelmen, Sacha; Urbanski, Patricia B.; Yancy, William S. (May 2019). "Nutrition Therapy for Adults With Diabetes or Prediabetes: A Consensus Report". Diabetes Care (Professional society guidelines). 42 (5): 731–754. doi:10.2337/dci19-0014. PMC 7011201. PMID 31000505.
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For the Fairy Godmother, Powell took a major departure from the animated film of the 1950s, instead giving actress Helena Bonham Carter an opulent white ballgown, featuring fairy wings, puff sleeves and a very full skirt. The skirt also had battery lights underneath it, which Helena said caused issues when filming scenes as the batteries would run low quite quickly. For the stepmother and stepsisters, Powell had a very clear idea about the look; "They are meant to be totally ridiculous on the outside—a bit too much and overdone—and ugly on the inside." The silhouette of the prince came from the original animation, however she created a more fitted look and less masculine colors. Some of the prince costumes were dyed to accentuate Madden's eyes.
Unintentional weight loss may result from loss of body fats, loss of body fluids, muscle atrophy, or a combination of these. It is generally regarded as a medical problem when at least 10% of a person's body weight has been lost in six months or 5% in the last month. Another criterion used for assessing weight that is too low is the body mass index (BMI). However, even lesser amounts of weight loss can be a cause for serious concern in a frail elderly person.
On October 4, 2005, Disney re-released the movie digitally remastered on DVD as the sixth installment of the Walt Disney Platinum Edition series. According to Home Media Magazine, Disney sold 3.2 million copies in its first week which earned over $64 million in sales. The Platinum Edition was also released on VHS, but the only special feature was the "A Dream Is a Wish Your Heart Makes" music video by Disney's Circle of Stars. The Platinum Edition DVD along with its sequels went into moratorium on January 31, 2008. In the United Kingdom and Ireland, a "Royal Edition" of Cinderella was released on DVD on April 4, 2011, to celebrate the UK Royal Wedding of Prince William and Catherine Middleton. This release had a unique limited edition number on every slipcase and an exclusive art card.
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Lifestyle and work habits partially determine how many calories we need to eat each day. Someone whose job involves heavy physical labor will naturally burn more calories in a day than someone who sits at a desk most of the day (a sedentary job). For people who do not have jobs that require intense physical activity, exercise or increased physical activity can increase the number of calories burned.