Cinderella, the beautiful and kind-hearted daughter, sees her world turn upside down when her beloved mother dies, and her pained father remarries another woman, the wicked Lady Tremaine, who has two equally cruel daughters, the jealous Anastasia and Drizella. But, once more, things will go from bad to worse, When Cinderella's father, too, dies, leaving her all alone in the Lady's clutches to serve as her maid-of-all-work. Under those circumstances, a shabby and neglected Cinderella doesn't stand much of a chance of attending the King's royal ball--let alone, captivate the handsome Prince--unless she turns to her loving Fairy Godmother who has quite a few tricks up her sleeve. Nevertheless, will the wronged damsel ever find peace--and with it--her own Prince Charming ? Written by Nick Riganas
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The film was released on VHS and Laserdisc on October 4, 1988 as part of the Walt Disney Classics collection. The release had a promotion with a free lithograph reproduction for those who pre-ordered the video before its release date. Disney had initially shipped 4.3 million VHS copies to retailers, but due to strong consumer demand, more than seven million copies were shipped.[67] At the time of its initial home video release, it was the best-selling VHS title until it was overtaken by E.T. the Extra-Terrestrial.[68] The release was placed into moratorium on April 30, 1989 with seven million VHS copies sold.[69][70]
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For the Fairy Godmother, Powell took a major departure from the animated film of the 1950s, instead giving actress Helena Bonham Carter an opulent white ballgown, featuring fairy wings, puff sleeves and a very full skirt. The skirt also had battery lights underneath it, which Helena said caused issues when filming scenes as the batteries would run low quite quickly. For the stepmother and stepsisters, Powell had a very clear idea about the look; "They are meant to be totally ridiculous on the outside—a bit too much and overdone—and ugly on the inside."[30] The silhouette of the prince came from the original animation, however she created a more fitted look and less masculine colors. Some of the prince costumes were dyed to accentuate Madden's eyes.[29]
The Story of Tam and Cam, from Vietnam, is similar to the Chinese version. The heroine Tấm also had a fish which was killed by the stepmother and the half-sister, and its bones also give her clothes.[18] Later after marrying the king, Tấm was killed by her stepmother and sister, and reincarnated several times in form of a bird, a loom and a "gold apple". She finally reunited with the king and lived happily ever after.
Once Upon a Time (2011), features Cinderella as a recurring character, played by Jessy Schram who made a deal with Rumplestiltskin who killed her fairy godmother right in front of her. In 2016, more of the story is shown in which Ashley, Cinderella's real-world counterpart, discovers her stepsister wanted to marry the footman rather than the prince. A different Cinderella in season 7, played by Dania Ramirez, went to the ball to kill the prince, not meet him.
^ Jump up to: a b Atallah, R.; Filion, K. B.; Wakil, S. M.; Genest, J.; Joseph, L.; Poirier, P.; Rinfret, S.; Schiffrin, E. L.; Eisenberg, M. J. (11 November 2014). "Long-Term Effects of 4 Popular Diets on Weight Loss and Cardiovascular Risk Factors: A Systematic Review of Randomized Controlled Trials". Circulation: Cardiovascular Quality and Outcomes (Systematic review of RCTs). 7 (6): 815–827. doi:10.1161/CIRCOUTCOMES.113.000723. PMID 25387778.
In 1804 Cinderella was presented at Drury Lane Theatre, London, described as "A new Grand Allegorical Pantomimic Spectacle" though it was very far in style and content from the modern pantomime. However, it included notable clown Joseph Grimaldi playing the part of a servant called Pedro, the antecedant of today's character Buttons.[35] In 1820 Harlequin and Cinderella at the Theatre Royal, Covent Garden had much of the modern story (taken from the opera La Cenerentola) by Rossini but was a Harlequinade again featuring Grimaldi.[35] In 1830 Rophino Lacy used Rossini's music but with spoken dialogue in a comic opera with many of the main characters: the Baron, the two stepsisters and Pedro the servant all as comic characters, plus a Fairy Queen instead of a magician.[35] However it was the conversion of this via burlesque and rhyming couplets by Henry Byron which led to what was effectively the modern pantomime in both story and style at the Royal Strand Theatre in 1860: Cinderella! Or the Lover, the Lackey, and the Little Glass Slipper.[35]
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Cinderella is living a dissatisfying life, having lost both parents at a young age, and being forced to work as a scullery maid in her own château. Her stepmother, Lady Tremaine, is cruel to her, and she is jealous of Cinderella's charm and beauty. Additionally her two stepsisters, Drizella and Anastasia, cruelly take advantage of her. In spite of this, Cinderella is a kind and gentle young woman. She is friends with mice and kind to birds that live in and around the château. Meanwhile, at the royal palace, the King is frustrated that his son, the Prince, still is not married. He and the Grand Duke organize a ball in an effort to find a suitable wife for the bored and picky Prince, requesting every eligible maiden attend. Upon receiving notice of the ball, Lady Tremaine agrees to let Cinderella go if she finishes her chores and can find a suitable dress to wear.
Categories: 2015 filmsEnglish-language films2010s historical romance films2010s romantic drama films2010s romantic fantasy filmsAmerican fantasy drama filmsAmerican filmsAmerican historical fantasy filmsAmerican historical romance filmsAmerican romantic drama filmsAmerican romantic fantasy filmsBritish fantasy drama filmsBritish filmsBritish historical fantasy filmsBritish historical romance filmsBritish romantic drama filmsBritish romantic fantasy filmsCinderella (franchise)Disney film remakesFilms about fairies and spritesFilms about royaltyFilms about weddingsFilms about wish fulfillmentFilms based on adaptationsFilms based on Charles Perrault's CinderellaFilms based on multiple worksFilms directed by Kenneth BranaghFilms produced by David BarronFilms produced by Simon KinbergFilms scored by Patrick DoyleFilms set in the 19th centuryFilms set in FranceFilms shot at Pinewood StudiosFilms shot in LondonFilms shot in Quebec2010s historical fantasy filmsIMAX filmsFilm remakesFilms with screenplays by Chris WeitzWalt Disney Pictures films
In The Thousand Nights and A Night, in a tale called "The Anklet",[30] the stepsisters make a comeback by using twelve magical hairpins to turn the bride into a dove on her wedding night. In The Wonderful Birch, the stepmother, a witch, manages to substitute her daughter for the true bride after she has given birth. Such tales continue the fairy tale into what is in effect a second episode.
In 1946, story artist and part-time lyricist Larry Morey joined studio music director Charles Walcott to compose the songs. Cinderella would sing three songs: "Sing a Little, Dream a Little" while overloaded with work, "The Mouse Song" as she dressed the mice, and "The Dress My Mother Wore" as she fantasizes about her mother's old wedding dress. In an effort to recycle an unused fantasy sequence from Snow White, the song, "Dancing on a Cloud" was used as Cinderella and the Prince waltz during the ball. After the ball, she would sing "I Lost My Heart at the Ball" and the Prince would sing "The Face That I See in the Night." However, none of their songs were used.[17]
Cinderella is a 2015 romantic fantasy film directed by Kenneth Branagh, with a screenplay written by Chris Weitz, and co-produced by Walt Disney Pictures, Kinberg Genre, Allison Shearmur Productions, and Beagle Pug Films. The film is based on the eponymous folk tale and is a live action adaptation of Walt Disney's 1950 animated film of the same name.[1] It features Lily James as the eponymous character, with Cate Blanchett, Richard Madden, Stellan Skarsgård, Holliday Grainger, Derek Jacobi, and Helena Bonham Carter.
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Although the story's title and main character's name change in different languages, in English-language folklore Cinderella is an archetypal name. The word Cinderella has, by analogy, come to mean one whose attributes were unrecognized: one who unexpectedly achieves recognition or success after a period of obscurity and neglect. The still-popular story of Cinderella continues to influence popular culture internationally, lending plot elements, allusions, and tropes to a wide variety of media. The Aarne–Thompson–Uther system classifies Cinderella as Tale Type 510A, Persecuted Heroine.[7]:24–26
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The first written European version of the story was published in Naples, Italy, by Giambattista Basile, in his Pentamerone (1634). The story itself was set in the Kingdom of Naples, at that time the most important political and cultural center of Southern Italy and among the most influential capitals in Europe, and written in the Neapolitan dialect. It was later retold, along with other Basile tales, by Charles Perrault in Histoires ou contes du temps passé (1697),[6] and by the Brothers Grimm in their folk tale collection Grimms' Fairy Tales (1812).
By September 1943, Disney had assigned Dick Huemer and Joe Grant to begin work on Cinderella as story supervisors and given a preliminary budget of $1 million.[14] However, by 1945, their preliminary story work was halted.[15] During the writing stages of Song of the South, Dalton S. Reymond and Maurice Rapf quarreled, and Rapf was reassigned to work on Cinderella.[16] In his version, Cinderella was written to be a less passive character than Snow White, and more rebellious against her stepfamily. Rapf explained, "My thinking was you can't have somebody who comes in and changes everything for you. You can't be delivered it on a platter. You've got to earn it. So in my version, the Fairy Godmother said, 'It's okay till midnight but from then on it's up to you.' I made her earn it, and what she had to do to achieve it was to rebel against her stepmother and stepsisters, to stop being a slave in her own home. So I had a scene where they're ordering her around and she throws the stuff back at them. She revolts, so they lock her up in the attic. I don't think anyone took (my idea) very seriously."[17]
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