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By the late 1940s, Disney's involvement during production had shrunken noticeably. As he was occupied with trains and the filming of Treasure Island, the directors were left to exercise their own judgment more on details. Although Disney no longer held daily story meetings, the three directors still communicated with him by mailing him memoranda, scripts, Photostats of storyboards, and acetates of soundtrack recordings while he was in England for two and a half months during the summer of 1949. When Disney did not respond, work resumed and then had to be undone when he did. In one instance when Disney returned to the studio on August 29, he reviewed Luske's animation sequences and ordered numerous minor changes, as well as a significant reworking of the film's climax. Production was finished by October 13, 1949.
Aschenputtel's relationship with her father in this version is ambiguous; Perrault's version states that the absent father is dominated by his second wife, explaining why he does not prevent the abuse of his daughter. However, the father in this tale plays an active role in several scenes, and it is not explained why he tolerates the mistreatment of his child. He also describes Aschenputtel as his "first wife's child" and not his own.
Cinderella is living a dissatisfying life, having lost both parents at a young age, and being forced to work as a scullery maid in her own château. Her stepmother, Lady Tremaine, is cruel to her, and she is jealous of Cinderella's charm and beauty. Additionally her two stepsisters, Drizella and Anastasia, cruelly take advantage of her. In spite of this, Cinderella is a kind and gentle young woman. She is friends with mice and kind to birds that live in and around the château. Meanwhile, at the royal palace, the King is frustrated that his son, the Prince, still is not married. He and the Grand Duke organize a ball in an effort to find a suitable wife for the bored and picky Prince, requesting every eligible maiden attend. Upon receiving notice of the ball, Lady Tremaine agrees to let Cinderella go if she finishes her chores and can find a suitable dress to wear.
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Although medical treatment (for example orlistat [Alli, Xenical]) is available, they should only be used by people who have health risks related to being obese. Doctors usually consider medications to be an appropriate treatment in patients with a BMI greater than 30 or in those with a BMI of greater than 27 who have other medical conditions (such as high blood pressure, diabetes, high blood cholesterol) that put them at risk for developing heart disease. It is not recommend that medications be used for cosmetic weight loss or to lose small amounts of weight.
Virtual gastric band uses hypnosis to make the brain think the stomach is smaller than it really is and hence lower the amount of food ingested. This brings as a consequence weight reduction. This method is complemented with psychological treatment for anxiety management and with hypnopedia. Research has been conducted into the use of hypnosis as a weight management alternative. In 1996 a study found that cognitive-behavioral therapy (CBT) was more effective for weight reduction if reinforced with hypnosis. Acceptance and Commitment Therapy ACT, a mindfulness approach to weight loss, has also in the last few years been demonstrating its usefulness.
Narrator: Once upon a time in a faraway land, there was a tiny kingdom; peaceful, prosperous, and rich in romance and tradition. Here in a stately chateau, there lived a widowed gentleman, and his little daughter, Cinderella. Although he was a kind and devoted father, and gave his beloved child every luxury and comfort, still, he felt she needed a mother's care. And so he married again, choosing for his second wife, a woman of good family, with two daughters just Cinderella's age, by name, ...
The ball gown was inspired by the Disney animated film in its color and shape; "The gown had to look lovely when she dances and runs away from the ball. I wanted her to look like she was floating, like a watercolor painting." The dress was made with more than a dozen fine layers of fabric, a corset and a petticoat. Nine versions of the Cinderella gown were designed, each with more than 270 yards of fabric and 10,000 crystals. It took 18 tailors and 500 hours to make each dress.
Cate Blanchett was the first actor to sign on, when it was announced in November 2012 that she would be playing Lady Tremaine, Cinderella's evil stepmother. In March 2013, Emma Watson was in talks to play Cinderella, but a deal could not be worked out. Watson went on to play Belle in Disney's 2017 film Beauty and the Beast. Gabriella Wilde, Saoirse Ronan, Alicia Vikander, Bella Heathcote and Margot Robbie were also considered for the part, but deals could not be worked out due to scheduling and other conflicts.
The number of balls varies, sometimes one, sometimes two, and sometimes three. The fairy godmother is Perrault's own addition to the tale. The person who aided Cinderella (Aschenputtel) in the Grimms's version is her dead mother. Aschenputtel requests her aid by praying at her grave, on which a tree is growing. Helpful doves roosting in the tree shake down the clothing she needs for the ball. This motif is found in other variants of the tale as well, such as The Cinder Maid, collected by Joseph Jacobs, and the Finnish The Wonderful Birch. Playwright James Lapine incorporated this motif into the Cinderella plotline of the musical Into the Woods. Giambattista Basile's Cenerentola combined them; the Cinderella figure, Zezolla, asks her father to commend her to the Dove of Fairies and ask her to send her something, and she receives a tree that will provide her clothing. Other variants have her helped by talking animals, as in Katie Woodencloak, Rushen Coatie, Bawang Putih Bawang Merah, The Story of Tam and Cam, or The Sharp Grey Sheep—these animals often having some connection with her dead mother; in The Golden Slipper, a fish aids her after she puts it in water. In "The Anklet", it's a magical alabaster pot the girl purchased with her own money that brings her the gowns and the anklets she wears to the ball. Gioachino Rossini, having agreed to do an opera based on Cinderella if he could omit all magical elements, wrote La Cenerentola, in which she was aided by Alidoro, a philosopher and formerly the Prince's tutor.